{"id":7620,"date":"2022-04-22T08:20:08","date_gmt":"2022-04-22T01:20:08","guid":{"rendered":"https:\/\/anpiano.com\/?post_type=product&p=7620"},"modified":"2025-09-29T11:40:22","modified_gmt":"2025-09-29T04:40:22","slug":"yamaha-clp-795gp","status":"publish","type":"product","link":"https:\/\/anpiano.com\/?product=yamaha-clp-795gp","title":{"rendered":"Yamaha CLP 795GP (New)"},"content":{"rendered":"
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Yamaha CLP 795GP :<\/strong><\/h3>\n
\"Yamaha<\/div>\n<\/div>\n<\/div>\n
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S\u1ee9c h\u1ea5p d\u1eabn c\u1ee7a CLP-700 Series<\/h3>\n

D\u00f2ng \u0111\u00e0n piano k\u1ef9 thu\u1eadt s\u1ed1 CLP \u00e1p d\u1ee5ng c\u00f4ng ngh\u1ec7 ti\u00ean ti\u1ebfn \u0111\u1ec3 t\u00e1i t\u1ea1o tr\u1ea3i nghi\u1ec7m bi\u1ec3u di\u1ec5n tr\u00ean m\u1ed9t c\u00e2y \u0111\u1ea1i d\u01b0\u01a1ng c\u1ea7m, cho ph\u00e9p ngh\u1ec7 s\u0129 piano b\u1ea5m ph\u00edm v\u1edbi t\u1ed1c \u0111\u1ed9 v\u00e0 \u0111\u1ed9 s\u00e2u kh\u00e1c nhau, t\u1ea1o ra s\u1ef1 \u0111a d\u1ea1ng v\u1ec1 \u00e2m s\u1eafc v\u00e0 mang l\u1ea1i nh\u1eefng m\u00e0n \u0111\u1ed9c di\u1ec5n c\u00e1 t\u00ednh. V\u1edbi kh\u1ea3 n\u0103ng bi\u1ec3u \u0111\u1ea1t t\u01b0\u01a1ng t\u1ef1 nh\u1eefng c\u00e2y \u0111\u1ea1i d\u01b0\u01a1ng c\u1ea7m, CLP-700 series ch\u1eafc ch\u1eafn s\u1ebd khi\u1ebfn vi\u1ec7c ch\u01a1i \u0111\u00e0n tr\u1edf n\u00ean th\u00fa v\u1ecb h\u01a1n bao gi\u1edd h\u1ebft.<\/p>\n<\/div>\n<\/div>\n

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\"Yamaha<\/div>\n
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S\u1ef1 ti\u1ec7n l\u1ee3i c\u1ee7a ri\u00eang piano \u0111i\u1ec7n<\/h3>\n

\u0110\u00e0n piano Clavinova \u0111\u01b0\u1ee3c trang b\u1ecb nhi\u1ec1u t\u00ednh n\u0103ng ti\u1ec7n l\u1ee3i ch\u1ec9 c\u00f3 tr\u00ean \u0111\u00e0n piano \u0111i\u1ec7n. B\u1ea1n c\u00f3 th\u1ec3 s\u1eed d\u1ee5ng tai nghe \u0111\u1ec3 gi\u1eef y\u00ean t\u0129nh cho xung quanh, hay k\u1ebft n\u1ed1i thi\u1ebft b\u1ecb Bluetooth\u00ae v\u1edbi \u0111\u00e0n Clavinova \u0111\u1ec3 nghe nh\u1ea1c t\u1eeb loa c\u1ee7a \u0111\u00e0n. Ngo\u00e0i ra, h\u00e3y k\u1ebft n\u1ed1i v\u1edbi \u1ee9ng d\u1ee5ng Smart Pianist c\u1ee7a Yamaha \u0111\u1ec3 \u0111\u01b0\u1ee3c tr\u1ee3 gi\u00fap th\u00eam trong qu\u00e1 tr\u00ecnh luy\u1ec7n t\u1eadp piano c\u1ee7a m\u00ecnh. B\u1ea3ng \u0111i\u1ec1u khi\u1ec3n c\u1ea3m \u1ee9ng ch\u1ec9 hi\u1ec7n ch\u1eef khi b\u1eadt \u2013 khi b\u1ea3ng n\u00e0y t\u1eaft, n\u00f3 c\u00f3 b\u1ec1 m\u1eb7t nh\u1eb5n nh\u01b0 m\u1ed9t ph\u00edm tr\u00ean c\u00e2y \u0111\u1ea1i d\u01b0\u01a1ng c\u1ea7m th\u1ef1c th\u1ee5.<\/p>\n

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Tho\u1ea3i m\u00e1i tr\u00f2 chuy\u1ec7n v\u1edbi c\u00e2y \u0111\u00e0n piano<\/h3>\n
\"Yamaha<\/div>\n<\/div>\n<\/div>\n
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Ng\u01b0\u1eddi ch\u01a1i \u0111\u00e1nh \u0111\u00e0n, piano ph\u1ea3n h\u1ed3i, v\u00e0 ng\u01b0\u1eddi ch\u01a1i ti\u1ebfp t\u1ee5c \u0111\u00e1nh \u0111\u00e0n. Ng\u01b0\u1eddi ch\u01a1i truy\u1ec1n t\u1ea3i nh\u1eefng c\u1ea3m x\u00fac h\u1ecd mu\u1ed1n th\u1ec3 hi\u1ec7n, v\u00e0 piano h\u1ed3i \u0111\u00e1p, c\u00e2u chuy\u1ec7n c\u1ee9 th\u1ebf di\u1ec5n ra t\u1ea1o th\u00e0nh m\u1ed9t cu\u1ed9c tr\u00f2 chuy\u1ec7n gi\u1eefa hai ph\u00eda. \u0110\u1ec3 c\u00e2u chuy\u1ec7n th\u1ef1c s\u1ef1 phong ph\u00fa, c\u1ea3 ng\u01b0\u1eddi ch\u01a1i v\u00e0 piano ph\u1ea3i c\u00f3 kh\u1ea3 n\u0103ng bi\u1ec3u \u0111\u1ea1t tuy\u1ec7t v\u1eddi; \u0111\u00e0n piano ph\u1ea3i d\u1ec5 ch\u01a1i v\u00e0 c\u00f3 \u0111\u1ed9 ph\u1ea3n h\u1ed3i t\u1ed1t, v\u00e0 ph\u1ea3i t\u1ea1o ra \u0111\u01b0\u1ee3c nh\u1eefng \u00e2m thanh \u0111\u1eb9p. \u0110\u00e0n piano CLP-700 series \u0111\u00e1p \u1ee9ng t\u1ea5t c\u1ea3 c\u00e1c \u0111i\u1ec1u ki\u1ec7n tr\u00ean, v\u00e0 ngu\u1ed3n c\u1ea3m h\u1ee9ng c\u00f3 \u0111\u01b0\u1ee3c t\u1eeb bu\u1ed5i t\u00e2m s\u1ef1 v\u1edbi c\u00e2y \u0111\u00e0n ch\u1eafc ch\u1eafn s\u1ebd khi\u1ebfn b\u1ea1n th\u00eam h\u1ee9ng th\u00fa \u0111\u1ec3 chia s\u1ebb c\u00e2u chuy\u1ec7n c\u1ee7a m\u00ecnh.<\/p>\n<\/div>\n

Th\u00f4ng s\u1ed1 k\u1ef9 thu\u1eadt c\u00e2y \u0111\u00e0n Yamaha CLP 795GP:<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
CLP-795GP<\/th>\n\n
<\/div>\n<\/th>\n<\/tr>\n<\/thead>\n
K\u00cdCH C\u1ee0\/TR\u1eccNG L\u01af\u1ee2NG<\/th>\n<\/tr>\n
K\u00cdCH TH\u01af\u1edaC<\/th>\nR\u1ed8NG<\/th>\n1.430 mm (56 -5\/16″)<\/td>\n<\/td>\n<\/tr>\n
CAO<\/th>\n932 mm (36 -11\/16″)<\/td>\n<\/td>\n<\/tr>\n
D\u00c0Y<\/th>\n1.237 mm (48 -11\/16″)<\/td>\n<\/td>\n<\/tr>\n
TR\u1eccNG L\u01af\u1ee2NG<\/th>\nTR\u1eccNG L\u01af\u1ee2NG<\/th>\n126 kg (277 lb, 13 oz)<\/td>\n<\/td>\n<\/tr>\n
GIAO DI\u1ec6N \u0110I\u1ec0U KHI\u1ec2N<\/th>\n<\/tr>\n
B\u00c0N PH\u00cdM<\/th>\nS\u1ed0 PH\u00cdM<\/th>\n88<\/td>\n<\/td>\n<\/tr>\n
LO\u1ea0I<\/th>\nB\u00e0n ph\u00edm GrandTouch\u2122: ph\u00edm \u0111\u00e0n b\u1eb1ng g\u1ed7 (ph\u00edm tr\u1eafng), b\u00e0n ph\u00edm b\u1eb1ng g\u1ed7 mun v\u00e0 ph\u1ee7 ng\u00e0 voi t\u1ed5ng h\u1ee3p, c\u01a1 ch\u1ebf tho\u00e1t escapement<\/td>\n<\/td>\n<\/tr>\n
TOUCH SENSITIVITY<\/th>\nHard2\/Hard1\/Medium\/Soft1\/Soft2\/Fixed<\/td>\n<\/td>\n<\/tr>\n
88 N\u00d4\u0301T C\u00d3 B\u00daA \u0110\u1ed0I TR\u1eccNG N\u1eb6NG<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
\u0110\u1ed0I TR\u1eccNG<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
HI\u1ec2N TH\u1eca<\/th>\nLO\u1ea0I<\/th>\nM\u00e0n h\u00ecnh LCD \u0111a \u0111i\u1ec3m<\/td>\n<\/td>\n<\/tr>\n
K\u00cdCH C\u1ee0<\/th>\n128 x 64 \u0111i\u1ec3m<\/td>\n<\/td>\n<\/tr>\n
NG\u00d4N NG\u1eee<\/th>\nEnglish, Japanese<\/td>\n<\/td>\n<\/tr>\n
B\u1ea2NG \u0110I\u1ec0U KHI\u1ec2N<\/th>\nLO\u1ea0I<\/th>\nM\u00e0n h\u00ecnh c\u1ea3m \u1ee9ng<\/td>\n<\/td>\n<\/tr>\n
NG\u00d4N NG\u1eee<\/th>\nTi\u1ebfng Anh<\/td>\n<\/td>\n<\/tr>\n
GIAO DI\u1ec6N \u0110I\u1ec0U KHI\u1ec2N<\/th>\n<\/tr>\n
PEDAL<\/th>\nS\u1ed0 PEDAL<\/th>\n3: Ch\u1eb7n ti\u1ebfng (damper) (v\u1edbi ch\u1ee9c n\u0103ng n\u1eeda pedal), Sostenuto, Soft<\/td>\n<\/td>\n<\/tr>\n
C\u00c1C CH\u1ee8C N\u0102NG<\/th>\nSustain (Switch), Sustain Continuously, Sostenuto, Soft, Pitch Bend Up, Pitch Bend Down, Rotary Speed, Vibe Rotor, Song Play\/Pause<\/td>\n<\/td>\n<\/tr>\n
PEDAL GIA\u0309M \u00c2M GP<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
T\u1ee6 \u0110\u00c0N<\/th>\n<\/tr>\n
N\u1eaeP CHE PH\u00cdM<\/th>\nKI\u1ec2U N\u1eaeP CHE PH\u00cdM<\/th>\nTr\u01b0\u1ee3t<\/td>\n<\/td>\n<\/tr>\n
<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
MUSIC BRACES<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
GI\u1eccNG<\/th>\n<\/tr>\n
T\u1ea0O \u00c2M<\/th>\n\u00c2M THANH PIANO<\/th>\nYamaha CFX, B\u00f6sendorfer Imperial<\/td>\n<\/td>\n<\/tr>\n
L\u1ea4Y M\u1eaaU SONG \u00c2M BINAURAL<\/th>\nC\u00f3 (Ch\u1ec9 v\u1edbi ti\u1ebfng CFX Grand v\u00e0 B\u00f6sendorfer)<\/td>\n<\/td>\n<\/tr>\n
M\u1eaaU KEY-OFF<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
NH\u1ea2 \u00c2M \u00caM \u00c1I<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
VRM<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
GRAND EXPRESSION MODELING (GI\u1ea2 L\u1eacP \u00c2M THANH C\u1ee6A \u0110\u00c0N GRAND)<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
\u0110A \u00c2M<\/th>\nS\u1ed0 \u0110A \u00c2M (T\u1ed0I \u0110A)<\/th>\n256<\/td>\n<\/td>\n<\/tr>\n
C\u00c0I \u0110\u1eb6T S\u1eb4N<\/th>\nS\u1ed0 GI\u1eccNG<\/th>\n53 Ti\u1ebfng + 14 B\u1ed9 Tr\u1ed1ng\/SFX + 480 Ti\u1ebfng XG<\/td>\n<\/td>\n<\/tr>\n
T\u00cdNH T\u01af\u01a0NG TH\u00cdCH<\/th>\nXG (GM), GS (\u0111\u1ec3 ph\u00e1t nh\u1ea1c), GM2 (\u0111\u1ec3 ph\u00e1t nh\u1ea1c)<\/td>\n<\/td>\n<\/tr>\n
BI\u1ebeN T\u1ea4U<\/th>\n<\/tr>\n
LO\u1ea0I<\/th>\nTI\u1ebeNG VANG<\/th>\n6<\/td>\n<\/td>\n<\/tr>\n
THANH<\/th>\n3<\/td>\n<\/td>\n<\/tr>\n
MASTER EFFECT<\/th>\n12<\/td>\n<\/td>\n<\/tr>\n
KI\u1ec2M SO\u00c1T \u00c2M TH\u00d4NG MINH (IAC)<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
STEREOPHONIC OPTIMIZER<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
PH\u00c2N LO\u1ea0I<\/th>\nHI\u1ec6U \u1ee8NG BRILLIANCE (\u00c2M R\u00d5)<\/th>\n7+ Ng\u01b0\u1eddi d\u00f9ng<\/td>\n<\/td>\n<\/tr>\n
C\u00c1C CH\u1ee8C N\u0102NG<\/th>\nK\u00c9P\/TR\u1ed8N \u00c2M<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
T\u00c1CH TI\u1ebeNG<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
DUO<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
B\u00c0I H\u00c1T<\/th>\n<\/tr>\n
C\u00c0I \u0110\u1eb6T S\u1eb4N<\/th>\nS\u1ed0 L\u01af\u1ee2NG B\u00c0I H\u00c1T C\u00c0I \u0110\u1eb6T S\u1eb4N<\/th>\n25 b\u00e0i demo + 50 b\u00e0i c\u1ed5 \u0111i\u1ec3n + 303 b\u00e0i luy\u1ec7n t\u1eadp<\/td>\n<\/td>\n<\/tr>\n
THU \u00c2M<\/th>\nS\u1ed0 L\u01af\u1ee2NG B\u00c0I H\u00c1T<\/th>\n250<\/td>\n<\/td>\n<\/tr>\n
S\u1ed0 L\u01af\u1ee2NG TRACK<\/th>\n16<\/td>\n<\/td>\n<\/tr>\n
DUNG L\u01af\u1ee2NG D\u1eee LI\u1ec6U<\/th>\nkho\u1ea3ng 500 KB\/b\u00e0i h\u00e1t<\/td>\n<\/td>\n<\/tr>\n
\u0110\u1ecaNH D\u1ea0NG D\u1eee LI\u1ec6U T\u01af\u01a0NG TH\u00cdCH<\/th>\nPH\u00c1T L\u1ea0I<\/th>\nSMF (\u0110\u1ecbnh d\u1ea1ng 0, \u0110\u1ecbnh d\u1ea1ng 1)<\/td>\n<\/td>\n<\/tr>\n
THU \u00c2M<\/th>\nSMF (\u0110\u1ecbnh d\u1ea1ng 0)<\/td>\n<\/td>\n<\/tr>\n
C\u00c1C CH\u1ee8C N\u0102NG<\/th>\n<\/tr>\n
BU\u1ed2NG PIANO<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
\u0110\u1ea6U THU \u00c2M USB<\/th>\nPH\u00c1T L\u1ea0I<\/th>\n.wav (t\u1ea7n s\u1ed1 m\u1eabu 44,1 kHz, ph\u00e2n gi\u1ea3i 16 bit, stereo)<\/td>\n<\/td>\n<\/tr>\n
THU \u00c2M<\/th>\n.wav (t\u1ea7n s\u1ed1 m\u1eabu 44,1 kHz, ph\u00e2n gi\u1ea3i 16 bit, stereo)<\/td>\n<\/td>\n<\/tr>\n
KI\u1ec2M SO\u00c1T TO\u00c0N B\u1ed8<\/th>\nB\u1ed8 \u0110\u1ebeM NH\u1ecaP<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
D\u00c3Y NH\u1ecaP \u0110I\u1ec6U<\/th>\n5 – 500<\/td>\n<\/td>\n<\/tr>\n
D\u1ecaCH GI\u1eccNG<\/th>\n-12 – 0 – +12<\/td>\n<\/td>\n<\/tr>\n
TINH CH\u1ec8NH<\/th>\n414,8 – 440,0 – 466,8 Hz (b\u01b0\u1edbc t\u0103ng kho\u1ea3ng 0,2 Hz)<\/td>\n<\/td>\n<\/tr>\n
LO\u1ea0I \u00c2M GIAI<\/th>\n7 lo\u1ea1i<\/td>\n<\/td>\n<\/tr>\n
BLUETOOTH<\/th>\nAudio\/MIDI (t\u00f9y t\u1eebng qu\u1ed1c gia)<\/td>\n<\/td>\n<\/tr>\n
CH\u1ee8C N\u0102NG<\/th>\n<\/tr>\n
NH\u1ecaP \u0110I\u1ec6U<\/th>\n20<\/td>\n<\/td>\n<\/tr>\n
L\u01afU TR\u1eee V\u00c0 K\u1ebeT N\u1ed0I<\/th>\n<\/tr>\n
L\u01afU TR\u1eee<\/th>\nB\u1ed8 NH\u1eda TRONG<\/th>\nDung l\u01b0\u1ee3ng t\u1ed1i \u0111a kho\u1ea3ng 1,4 MB<\/td>\n<\/td>\n<\/tr>\n
\u0110\u0128A NGO\u00c0I<\/th>\n\u1ed4 \u0111\u0129a flash USB<\/td>\n<\/td>\n<\/tr>\n
K\u1ebeT N\u1ed0I<\/th>\nTAI NGHE<\/th>\nGi\u1eafc c\u1eafm \u0111i\u1ec7n tho\u1ea1i stereo chu\u1ea9n (x2)<\/td>\n<\/td>\n<\/tr>\n
MIDI<\/th>\n[IN] [OUT] [THRU]<\/td>\n<\/td>\n<\/tr>\n
AUX IN<\/th>\nStereo mini<\/td>\n<\/td>\n<\/tr>\n
NG\u00d5 RA PH\u1ee4<\/th>\n[L\/L+R] [R]<\/td>\n<\/td>\n<\/tr>\n
PEDAL PH\u1ee4<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
USB TO DEVICE<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
USB TO HOST<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
DC IN<\/th>\n24 V<\/td>\n<\/td>\n<\/tr>\n
AMPLI V\u00c0 LOA<\/th>\n<\/tr>\n
AMPLI<\/th>\n(50 W + 50 W + 50 W) x 2<\/td>\n<\/td>\n<\/tr>\n
<\/th>\nLoa Spruce Cone (16 cm + 8 cm + 2,5 cm (v\u00f2m) + b\u1ed9 chuy\u1ec3n \u0111\u1ed5i) x 2<\/td>\n<\/td>\n<\/tr>\n
B\u1ed8 NGU\u1ed2N<\/th>\n<\/tr>\n
TI\u00caU TH\u1ee4 \u0110I\u1ec6N<\/th>\n60 W (Khi s\u1eed d\u1ee5ng b\u1ed9 \u0111\u1ed5i ngu\u1ed3n AC PA-500)<\/td>\n<\/td>\n<\/tr>\n
T\u1ef0 \u0110\u1ed8NG T\u1eaeT NGU\u1ed2N<\/th>\nC\u00f3<\/td>\n<\/td>\n<\/tr>\n
B\u1ed8 NGU\u1ed2N<\/th>\nB\u1ed8 \u0110\u1ed4I NGU\u1ed2N<\/th>\nPA-500<\/td>\n<\/td>\n<\/tr>\n
PH\u1ee4 KI\u1ec6N<\/th>\n<\/tr>\n
PH\u1ee4 KI\u1ec6N<\/th>\nH\u01b0\u1edbng d\u1eabn s\u1eed d\u1ee5ng, S\u00e1ch nh\u1ea1c \u201c50 Classical Music Masterpieces\u201d, \u0110\u0103ng k\u00fd th\u00e0nh vi\u00ean tr\u1ef1c tuy\u1ebfn, B\u1ea3o h\u00e0nh*, Gh\u1ebf*, D\u00e2y ngu\u1ed3n*\/ B\u1ed9 \u0111\u1ed5i ngu\u1ed3n* PA-500 *t\u00f9y t\u1eebng khu v\u1ef1c<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n
T\u01b0 v\u1ea5n v\u00e0 ch\u1ecdn mua s\u1ea3n ph\u1ea9m kh\u00e1c t\u1ea1i \u0111\u00e2y<\/a><\/div>\n
Ch\u00fang t\u00f4i nh\u1eadn thu mua Piano, h\u00e3y li\u00ean h\u1ec7 n\u1ebfu b\u1ea1n c\u00f3 nhu c\u1ea7u.<\/a><\/div>\n<\/div>\n

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