{"id":7705,"date":"2022-04-23T11:01:26","date_gmt":"2022-04-23T04:01:26","guid":{"rendered":"https:\/\/anpiano.com\/?post_type=product&p=7705"},"modified":"2025-09-29T11:39:15","modified_gmt":"2025-09-29T04:39:15","slug":"roland-f-100","status":"publish","type":"product","link":"https:\/\/anpiano.com\/?product=roland-f-100","title":{"rendered":"Roland F110"},"content":{"rendered":"

\u0110\u00e0n Roland F110<\/b><\/h3>\n

Th\u00e0nh vi\u00ean m\u1edbi\u00a0nh\u1ea5t c\u1ee7a d\u00f2ng \u0111\u00e0n piano k\u1ef9 thu\u1eadt s\u1ed1 nh\u1ecf g\u1ecdn c\u1ee7a Roland l\u00e0 F-110 b\u1eaft m\u1eaft. V\u1edbi m\u1ed9t t\u1ee7 g\u1ed7 h\u1ea5p d\u1eabn trong l\u1edbp ho\u00e0n thi\u1ec7n Satin Blac<\/span>k ho\u1eb7c Satin White tuy\u1ec7t \u0111\u1eb9p, n\u00f3 mang \u0111\u1ebfn m\u1ed9t c\u00e1i nh\u00ecn t\u01b0\u01a1i m\u1edbi s\u1ebd k\u1ebft h\u1ee3p t\u1ed1t v\u1edbi m\u1ecdi m\u00f4i tr\u01b0\u1eddng gia \u0111\u00ecnh.<\/span><\/h3>\n

\"Roland<\/p>\n

V\u1edbi 88 ph\u00edm \u0111\u00e0n piano \u0111a m\u1eabu \u00e2m thanh n\u1ed5i v\u00e0 th\u01b0 vi\u1ec7n ho\u1eb7c \u00e2m thanh ch\u1ea5t l\u01b0\u1ee3ng cao, c\u00f9ng v\u1edbi t\u1ee7 \u0111\u1ed9c \u0111\u00e1o v\u1edbi n\u1eafp g\u1eadp, c\u1ea3m \u1ee9ng b\u00e0n ph\u00edm n\u1ed5i b\u1eadt v\u00e0 giao di\u1ec7n ng\u01b0\u1eddi d\u00f9ng tr\u1ef1c quan,Roland F110 l\u00e0 m\u1ed9t l\u1ef1a ch\u1ecdn th\u00f4ng minh cho ng\u00e2n s\u00e1ch v\u00e0 \u00fd th\u1ee9c kh\u00f4ng gian nh\u1ea1c s\u0129.<\/h4>\n

B\u00e0n ph\u00edm “PHA alpha II” 88 ph\u00edm \u0111\u00e0n ti\u1ebfn b\u1ed9 c\u1ee7a Roland F110 mang \u0111\u1ebfn cho b\u1ea1n c\u1ea3m gi\u00e1c ch\u00e2n th\u1ef1c c\u1ee7a m\u1ed9t c\u00e2y \u0111\u1ea1i d\u01b0\u01a1ng c\u1ea7m. V\u1ecb tr\u00ed b\u00e0n \u0111\u1ea1p c\u0169ng \u0111\u01b0\u1ee3c ph\u00e1t hi\u1ec7n, l\u00e0m cho b\u00e0n \u0111\u1ea1p b\u1ecb \u0111\u1ea9y, t\u1ea1o ra \u00e2m thanh b\u1ea1n mu\u1ed1n.<\/p>\n

V\u1edbi Roland F110, b\u1ea1n c\u00f3 th\u1ec3 ch\u01a1i ng\u00e0y hay \u0111\u00eam, n\u0103m n\u00e0y qua n\u0103m kh\u00e1c v\u00e0 th\u01b0\u1edfng th\u1ee9c \u00e2m thanh v\u00e0 hi\u1ec7u su\u1ea5t ho\u00e0n h\u1ea3o. V\u00ec Roland F110 l\u00e0 ho\u00e0n to\u00e0n k\u1ef9 thu\u1eadt s\u1ed1, kh\u00f4ng c\u00f3 chu\u1ed7i \u0111\u1ec3 \u0111i\u1ec1u ch\u1ec9nh. Kh\u00f4ng c\u1ea7n ph\u1ea3i lo l\u1eafng v\u1ec1 s\u1ef1 thay \u0111\u1ed5i nhi\u1ec7t \u0111\u1ed9 ho\u1eb7c l\u00e3o h\u00f3a. V\u00e0 v\u00ec l\u00e0 k\u1ef9 thu\u1eadt s\u1ed1, F-110 cho ph\u00e9p b\u1ea1n ph\u00e1t qua loa t\u00edch h\u1ee3p, \u0111\u1ea7u ra b\u00ean ngo\u00e0i ho\u1eb7c ri\u00eang t\u01b0 th\u00f4ng qua tai nghe.<\/p>\n

TH\u00d4NG S\u1ed0 K\u1ef8 THU\u1eacT \u0110\u00c0N PIANO ROLAND F110<\/strong><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
B\u00c0N PH\u00cdM<\/td>\n<\/td>\n<\/tr>\n
Lo\u1ea1i b\u00e0n ph\u00edm<\/td>\n88 ph\u00edm (PHA alpha II)<\/td>\n<\/tr>\n
\u0110\u1ed9 nh\u1ea1y c\u1ea3m \u1ee9ng<\/td>\nT\u1eaft, L1, L2, M, H1, H2<\/td>\n<\/tr>\n
Ch\u1ebf \u0111\u1ed9 b\u00e0n ph\u00edm<\/td>\nTo\u00e0n b\u1ed9, K\u00e9p (c\u00f3 th\u1ec3 \u0111i\u1ec1u ch\u1ec9nh c\u00e2n b\u1eb1ng \u00e2m l\u01b0\u1ee3ng), T\u00e1ch (c\u00f3 th\u1ec3 \u0111i\u1ec1u ch\u1ec9nh \u0111i\u1ec3m t\u00e1ch), Piano \u0111\u00f4i<\/td>\n<\/tr>\n
M\u00c1Y T\u1ea0O \u00c2M THANH<\/td>\n<\/td>\n<\/tr>\n
\u00c2m thanh piano \u0111a m\u1eabu 88 ph\u00edm Stereo, x\u00e1c nh\u1eadn v\u1edbi MIDI chung 2 \/ GS \/ XGlite<\/td>\n<\/td>\n<\/tr>\n
Polyphony t\u1ed1i \u0111a<\/td>\n128 gi\u1ecdng n\u00f3i<\/td>\n<\/tr>\n
\u00c2m<\/td>\n306 \u00e2m (bao g\u1ed3m 8 b\u1ed9 tr\u1ed1ng, b\u1ed9 SFX)<\/td>\n<\/tr>\n
\u00c2m s\u1eafc<\/td>\n8 lo\u1ea1i<\/td>\n<\/tr>\n
\u0110i\u1ec1u ch\u1ec9nh k\u00e9o d\u00e0i<\/td>\nB\u1eadt \/ T\u1eaft<\/td>\n<\/tr>\n
Master Tuning<\/td>\n415,3 \u0111\u1ebfn 466,2 Hz (c\u00f3 th\u1ec3 \u0111i\u1ec1u ch\u1ec9nh theo gia s\u1ed1 0,1 Hz)<\/td>\n<\/tr>\n
Transpose<\/td>\n\u0110\u1ed9 d\u1ecbch chuy\u1ec3n: -6 \u0111\u1ebfn +5 (\u1edf n\u1eeda cung)
\nPh\u00e1t l\u1ea1i \u0110\u1ed9 d\u1ecbch chuy\u1ec3n: -6 \u0111\u1ebfn +5 (\u1edf n\u1eeda cung)<\/td>\n<\/tr>\n
C\u00e1c hi\u1ec7u \u1ee9ng<\/td>\nReverb (T\u1eaft \/ 1 \u0111\u1ebfn 10), C\u1ed9ng h\u01b0\u1edfng chu\u1ed7i (ch\u1ec9 d\u00e0nh cho \u00e2m piano, T\u1eaft \/ 1 \u0111\u1ebfn 10), C\u1ed9ng h\u01b0\u1edfng gi\u1ea3m \u00e2m (ch\u1ec9 d\u00e0nh cho \u00e2m piano, T\u1eaft \/ 1 \u0111\u1ebfn 10), C\u1ed9ng h\u01b0\u1edfng ph\u00edm t\u1eaft (ch\u1ec9 d\u00e0nh cho \u00e2m piano, T\u1eaft \/ 1 \u0111\u1ebfn 10)<\/td>\n<\/tr>\n
B\u1ed9 ch\u1ec9nh \u00e2m<\/td>\nB\u1ed9 c\u00e2n b\u1eb1ng k\u1ef9 thu\u1eadt s\u1ed1 3 b\u0103ng t\u1ea7n<\/td>\n<\/tr>\n
M\u00c1Y GHI \u00c2M<\/td>\n<\/td>\n<\/tr>\n
B\u1ea3n nh\u1ea1c<\/td>\n3 b\u1ea3n nh\u1ea1c<\/td>\n<\/tr>\n
B\u00e0i h\u00e1t<\/td>\nPh\u1ea7n ghi \u00e2m: 1 b\u00e0i h\u00e1t
\nB\u1ed9 nh\u1edb trong: T\u1ed1i \u0111a.\u00a099 b\u00e0i h\u00e1t<\/td>\n<\/tr>\n
L\u01b0u \u00fd L\u01b0u tr\u1eef<\/td>\nKho\u1ea3ng\u00a030.000 n\u1ed1t nh\u1ea1c<\/td>\n<\/tr>\n
\u0110i\u1ec1u khi\u1ec3n<\/td>\nCh\u1ecdn b\u00e0i h\u00e1t, Ph\u00e1t \/ D\u1eebng, Ghi l\u1ea1i, Tr\u01b0\u1edbc \/ Tua l\u1ea1i, Ti\u1ebfp theo \/ Tua \u0111i, T\u1eaft ti\u1ebfng theo d\u00f5i, Nh\u1ecbp \u0111\u1ed9, T\u1eaft ti\u1ebfng t\u1ea1m th\u1eddi, Ph\u00e1t t\u1ea5t c\u1ea3 b\u00e0i h\u00e1t, \u0110\u1ebfm v\u00e0o, \u0110\u1ebfm ng\u01b0\u1ee3c, \u00c2m l\u01b0\u1ee3ng b\u00e0i h\u00e1t<\/td>\n<\/tr>\n
Tempo<\/td>\nGhi ch\u00fa qu\u00fd = 10 \u0111\u1ebfn 500<\/td>\n<\/tr>\n
\u0110\u1ed9 ph\u00e2n gi\u1ea3i<\/td>\n120 t\u00edch t\u1eafc m\u1ed7i ghi ch\u00fa qu\u00fd<\/td>\n<\/tr>\n
M\u00e1y \u0111\u1ebfm nh\u1ecbp<\/td>\nNh\u1ecbp: 2\/2, 0\/4, 2\/4, 3\/4, 4\/4, 5\/4, 6\/4, 7\/4, 3\/8, 6\/8, 9\/8, 12\/8
\n\u00c2m l\u01b0\u1ee3ng : 0 \u0111\u1ebfn 10<\/td>\n<\/tr>\n
B\u1ed8 NH\u1eda TRONG<\/td>\n<\/td>\n<\/tr>\n
B\u00e0i h\u00e1t<\/td>\nT\u1ed1i \u0111a\u00a099 b\u00e0i h\u00e1t<\/td>\n<\/tr>\n
L\u01b0u b\u00e0i h\u00e1t<\/td>\nT\u1ec7p MIDI chu\u1ea9n (\u0110\u1ecbnh d\u1ea1ng 0)<\/td>\n<\/tr>\n
KH\u00c1C<\/td>\n<\/td>\n<\/tr>\n
B\u00e0i h\u00e1t n\u1ed9i b\u1ed9<\/td>\n65 b\u00e0i h\u00e1t<\/td>\n<\/tr>\n
C\u00f4ng su\u1ea5t \u0111\u1ea7u ra \u0111\u1ecbnh m\u1ee9c<\/td>\n12W x 2<\/td>\n<\/tr>\n
Di\u1ec5n gi\u1ea3<\/td>\n(8 cm x 12 cm) x 2<\/td>\n<\/tr>\n
Tr\u01b0ng b\u00e0y<\/td>\n7 ph\u00e2n \u0111o\u1ea1n, 3 k\u00fd t\u1ef1 LED<\/td>\n<\/tr>\n
\u0110i\u1ec1u khi\u1ec3n<\/td>\n\u00c2m l\u01b0\u1ee3ng<\/td>\n<\/tr>\n
B\u00e0n \u0111\u1ea1p<\/td>\nB\u1ed9 gi\u1ea3m ch\u1ea5n (nh\u1eadn d\u1ea1ng n\u1eeda b\u00e0n \u0111\u1ea1p), M\u1ec1m (nh\u1eadn d\u1ea1ng n\u1eeda b\u00e0n \u0111\u1ea1p, c\u00f3 th\u1ec3 g\u00e1n ch\u1ee9c n\u0103ng), Sostenuto (c\u00f3 th\u1ec3 g\u00e1n ch\u1ee9c n\u0103ng)<\/td>\n<\/tr>\n
C\u00e1c ch\u1ee9c n\u0103ng kh\u00e1c<\/td>\nKh\u00f3a b\u1ea3ng \u0111i\u1ec1u khi\u1ec3n, V-LINK<\/td>\n<\/tr>\n
K\u1ebft n\u1ed1i<\/td>\n\u0110\u1ea7u v\u00e0o DC, \u0110\u1ea7u n\u1ed1i b\u00e0n \u0111\u1ea1p, Gi\u1eafc c\u1eafm \u0111\u1ea7u v\u00e0o (L \/ Mono, R), Gi\u1eafc c\u1eafm \u0111\u1ea7u ra (L \/ Mono, R), \u0110\u1ea7u n\u1ed1i MIDI (IN, OUT) Gi\u1eafc c\u1eafm \u0111i\u1ec7n tho\u1ea1i (\u00c2m thanh n\u1ed5i) x 2<\/td>\n<\/tr>\n
S\u1ef1 ti\u00eau th\u1ee5 n\u0103ng l\u01b0\u1ee3ng<\/td>\n48 W<\/td>\n<\/tr>\n
K\u00cdCH TH\u01af\u1edaC V\u00c0 TR\u1eccNG L\u01af\u1ee2NG (KHI \u0110\u00d3NG N\u1eaeP, G\u1eaeN B\u1ed8 \u1ed4N \u0110\u1ecaNH)<\/td>\n<\/td>\n<\/tr>\n
Chi\u1ec1u r\u1ed9ng<\/td>\n136.1 cm<\/td>\n<\/tr>\n
Chi\u1ec1u s\u00e2u<\/td>\n34.2 cm<\/td>\n<\/tr>\n
Chi\u1ec1u cao<\/td>\n77.8 cm<\/td>\n<\/tr>\n
C\u00e2n n\u1eb7ng<\/td>\n35,0 kg<\/p>\n

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 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

T\u01b0 v\u1ea5n v\u00e0 ch\u1ecdn mua s\u1ea3n ph\u1ea9m kh\u00e1c t\u1ea1i \u0111\u00e2y<\/a><\/div>\n
Ch\u00fang t\u00f4i nh\u1eadn thu mua Piano, h\u00e3y li\u00ean h\u1ec7 n\u1ebfu b\u1ea1n c\u00f3 nhu c\u1ea7u.<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"